歌詞 · 協音音律對照

Más Que Amigos

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虛線字 = 多音字,點字切換粵音 / 查同音 / 查字典

¿Qué haces si te digo que te quiero?

¿Que por robarte un beso yo me muero?

¿Qué haces si te pido que encontremos un camino?

Y a partir de ya, ser más que amigos

¿Qué hago si no aguanto el sentimiento

De contarle a todos mi secreto?

Que siempre fantaseo con perdernos el respeto

Y ya no ser tu amigo, ser tu dueño

Solo es conmigo, conmigo el camino

Que debes tú tomar

Sé que yo te puedo enamorar

Solo es contigo, contigo que pido

Toda una eternidad

Te ruego solo una oportunidad

Y ya no sé qué hacer, me desespero

Cuando estás con alguien y te veo

Sabiendo hasta los huesos que a ti yo pertenezco

Y que yo debo ser tu complemento

Solo es conmigo, conmigo el camino

Que debes tú tomar

Sé que yo te puedo enamorar

Solo es contigo, contigo que pido

Toda una eternidad

Te ruego solo una oportunidad, eh-eh, oh-oh

Una oportunidad (uh-uh, uh-uh)

Solo es conmigo, conmigo el camino

Que debes tú tomar (que debes tú tomar)

Sé que yo te puedo enamorar

Solo es contigo, contigo que pido

Toda una eternidad (una eternidad)

Te ruego solo una oportunidad

Hmm

Hmm-hmm-mmm

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數字編碼系統

💡 點歌詞中漢字可用同音字 / 字詞字典輔助;多音字可即時切換其粵語發音。

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歌手介紹

Matisse

Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intensity of colour in the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting. After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created an important body of work in the medium of cut paper collage. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.